(via Enzie Shahmiri Portraits and Fine Art - BLOG)
When I first started to work on this painting I was too busy to get the drawing right rather than making plans for the color scheme. As work on the horse progressed however, I soon realized that keeping everything in grey and black was rather boring. This painting called for a major punch up in the color department. Starting with a few blue tints in the darkest part of the painting, similar hues started to creep into the background as well, which I wanted to keep as ambiguous as possible.
Then something interesting happened - read more
Source: enzieshahmiri.com
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